Download (JPG, 4 MB)
Giovanni Anselmo, Entrare nell’opera, 1971, Fondation Louis Vuitton, Paris

Download (JPG, 3 MB)
Marisa Merz in one of Mario Merz’s igloos, Fünfte Internationale Kunstmesse Berlin, 1973, photo: Angelika Platen © 2019, ProLitteris, Zürich

Download (JPG, 2 MB)
Michelangelo Pistoletto, Le trombe del giudizio, 1968, Fondazione Pistoletto

Download (JPG, 2 MB)
Jannis Kounellis, Senza titolo («Dodici cavalli vivi»), 1969, photo: Claudio Abate © 2019, ProLitteris, Zürich

Download (JPG, 3 MB)
Giuseppe Penone, Rovesciare gli occhi, 1970 © 2019, ProLitteris, Zürich

Download (JPG, 3 MB)
Exhibition view Kunstmuseum Liechtenstein, photo: Stefan Altenburger Photography, Zurich © Kunstmuseum Liechtenstein, Nora Turato

Download (JPG, 3 MB)
Exhibition view Kunstmuseum Liechtenstein, photo: Stefan Altenburger Photography, Zurich © Kunstmuseum Liechtenstein, Nora Turato

Download (JPG, 3 MB)
Exhibition view Kunstmuseum Liechtenstein, photo: Stefan Altenburger Photography, Zurich © Kunstmuseum Liechtenstein, Nora Turato

Download (JPG, 3 MB)
Exhibition view Kunstmuseum Liechtenstein, photo: Stefan Altenburger Photography, Zurich © Kunstmuseum Liechtenstein, Nora Turato

Download (JPG, 3 MB)
Exhibition view Kunstmuseum Liechtenstein, photo: Stefan Altenburger Photography, Zurich © Kunstmuseum Liechtenstein, Nora Turato

Download (JPG, 4 MB)
Exhibition view Kunstmuseum Liechtenstein, photo: Stefan Altenburger Photography, Zurich © Kunstmuseum Liechtenstein, Nora Turato

Download (JPG, 2 MB)
Nora Turato, the mothers in movies are either gone or useless, 2019, artist’s edition © Kunstmuseum Liechtenstein, Nora Turato

Download (JPG, 1 MB)
Performance «Nora Turato. explained away», Kunstmuseum Liechtenstein, photo: Miro Kuzmanovic

Download (JPG, 2 MB)
Performance «Nora Turato. explained away», Kunstmuseum Liechtenstein, photo: Miro Kuzmanovic

Download (JPG, 2 MB)
Performance «Nora Turato. explained away», Kunstmuseum Liechtenstein, photo: Miro Kuzmanovic