An afternoon at the museum! Time to perceive, discover, get involved!
Children explore the current exhibition, playfully and actively conquer the museum. After which they have the chance to test, experiment and creatively express themselves in the workshop.
Registration required:
kollabor is where the youngest get to experience an art museum: Kids from 0 to 4 and their accompanying adults are warmly invited.
Between 20 August and 17 October 2024, we will be exploring the Museum together on Tuesdays, 10am–11.30am, and Thursdays, 2pm–3.30pm. There'll be hands-on materials and opportunities to playfully explore the Museum on our forays into the current exhibitions. We will experience colours and shapes, random patterns and orders.
Come along and register at the ticket desk.
Immerse yourself in art with your hands and feet.
Come along when we experiment with materials for free creative play around the sculpture by Dan Peterman. Every Tuesday from 10.00 to 11.30 and Thursday from 14.00 to 15.30 (except on public holidays) someone from the art education team is on site. You can join in at any time.
For children from 0 – 4 years and their accompanying adults
Every Tuesday afternoon, 2pm to 3pm, at the side-light gallery.
Free admission.
In cooperation with Demenz Liechtenstein.
Immerse yourself in art with your hands and feet.
Come along when we experiment with materials for free creative play around the sculptures by Dan Peterman. Every Tuesday from 10.00 to 11.30 and Thursday from 14.00 to 15.30 (except on public holidays) someone from the art education team is on site. You can join in at any time.
For children from 0 – 4 years and their accompanying adults
Registration required.
The new volume, conceived by Germano Celant, curated by Studio Celant in collaboration with Studio Alberto Garutti, is the most comprehensive survey dedicated to the artist Alberto Garutti (1948–2023), exploring the experimental and innovative nature of his language. It focuses on key aspects that, over the years, have become essential for anyone engaging with site-specific works or the themes of public spaces.
Crucial aspects such as the idea of the anti-monument, non-invasiveness, opposition to system rhetoric, sharp critique of institutional landscapes, the role of the viewer, and the concept of the artwork as a form of open dialogue and conversation, are just some of the characteristics of Alberto Garutti's artistic discourse. The volume addresses these themes through three distinct, transversal and parallel critical approaches: historical-critical analysis, the narration of artistic and biographical events, and the personal narrative of the author after more than fifty years of life in art.
The publication contains an essay by Antonella Soldaini, a historical-critical timeline from 1948 to 2023 edited by Eva Fabbris (also in charge of research), seven thematic essays by Alberto Garutti written specifically for this publication, and an extensive series of illustrations and documents to narrate the career of an artist who from the early works of the 1970s always raised questions about the role and the ethical responsibility of the figure of the artist in contemporary society.
Published by
a+mbookstore, Milan (Italian version)
and Hatje Cantz, Berlin (English version)
The project is supported by the Directorate General for Contemporary Creativity of the Italian Ministry of Culture under the Italian Council program (2023).
The release of the book is accompanied by an intense calendar of events in Italian and foreign museums, among which our online presentation. We are looking forward to your participation!
Please register here. After registering, you will receive a confirmation email containing information about joining the webinar.
Time
15-18pm
Admission is free of charge.
No dance experience required.
Leader
Sandra Beck, social worker and dance mediator
Place/meeting point
Seitenlichtsaal
Dates
Saturday, 26.10.2024, 10.15-11.45am
Sunday, 27.10.2024, 10.15-11.45am
Participation on individual days possible
Bring along
Comfortable clothing, clean shoes or slippery socks, water bottle
Costs
CHF 15 per date
Registration required
with Beatrice Derungs (Demenz Liechtenstein)
Tel. +423 782 55 63 or e-mail sozialbegleitung@fl1.li
No dance experience required.
Leader
Sandra Beck, social worker and dance mediator
Place/meeting point
Seitenlichtsaal
Dates
Saturday, 26.10.2024, 10.15-11.45am
Sunday, 27.10.2024, 10.15-11.45am
Participation on individual days possible
Bring along
Comfortable clothing, clean shoes or slippery socks, water bottle
Costs
CHF 15 per date
Registration required
with Beatrice Derungs (Demenz Liechtenstein)
Tel. +423 782 55 63 or e-mail sozialbegleitung@fl1.li
Immerse yourself in art with your hands and feet.
Come along when we experiment with materials for free creative play around the sculpture by Dan Peterman. Every Tuesday from 10.00 to 11.30 and Thursday from 14.00 to 15.30 (except on public holidays) someone from the art education team is on site. You can join in at any time.
For children from 0 – 4 years and their accompanying adults
Every Tuesday afternoon, 2pm to 3pm, at the side-light gallery.
Free admission.
In cooperation with Demenz Liechtenstein.
Join us to be inspired by the artworks and get creative in the rooms of the Kunstmuseum. Armed with drawing-pencils and paper, we explore the pictures on show in the exhibition, viewing and examining them to find our own ways to engage with art.
No previous experience required!
Registration required.
Immerse yourself in art with your hands and feet.
Come along when we experiment with materials for free creative play around the sculptures by Dan Peterman and Chantal Küng. Every Tuesday from 10.00 to 11.30 and Thursday from 14.00 to 15.30 (except on public holidays) someone from the art education team is on site. You can join in at any time.
For children from 0 – 4 years and their accompanying adults
Speakers
Manuel Frick, Minister of Social Affairs and Culture of the Principality of Liechtenstein
Letizia Ragaglia, Director Kunstmuseum Liechtenstein and curator of the exhibition
Aperitif and closing with music by DJ Heinz Mühlegg.
The artist will be present.
Experimental, profoundly spiritual and radically humanist, Ana Lupas (b. 1940 in Cluj-Napoca, Romania) has been an outstanding figure in Eastern European art since the 1960s. Kunstmuseum Liechtenstein is presenting the most comprehensive solo show so far of her work, featuring works from the 1960s to the present and placing the emphasis on two previously unexhibited series of works: Eyes (1974–1991) and Self-Portrait (2000).
In an environment characterised by lack of freedom and oppression in Romania, Lupas created an oeuvre that is as impressive as it is radical. Her early, experimental work comprises textile works, sculptures, environments, installations and action art. In addition to producing new works, reprising and reworking existing works is a key concern of the artist.
The exhibition has been developed in close collaboration with the artist. A co-production with the Stedelijk Museum Amsterdam, curated by Letizia Ragaglia for Kunstmuseum Liechtenstein.
A comprehensive publication with texts by Tanja Boon, Leontine Coelewij, Marina Lupas, Ramona Novicov, Letizia Ragaglia, Christian Rattemeyer and Mechtild Widrich accompanies the exhibition.
The film features footage of all four of Georgia Sagri's performances under the same title –SALOON: There Is No Country In Our Hearts – at the Museum of Modern Art in Warsaw in 2013. The performances took place within the context of the museum collection exhibition In the Heart of the Country but were not part of that show.
The film features texts in the form of subtitles; artworks from the museum's collection and by the invited artists, which were activated during the different performances; and diagrams that emerged during the film's editing process. The resulting work serves future uses and purposes without historicising or framing a past event, that of a performance or an exhibition. As such, the film does not document a performance but rather promotes Saloon – a nomadic curatorial project started in 2009 – and it announces the project's desire to continue to operate.
Free admission.
Further screenings:
Sunday, 8 December 2024, 3 pm
Wednesday, 8 January 2025, 5 pm
Experimental, profoundly spiritual and radically humanist, Ana Lupas (b. 1940 in Cluj-Napoca, Romania) has been an outstanding figure in Eastern European art since the 1960s. Kunstmuseum Liechtenstein is presenting the most comprehensive solo show so far of her work, featuring works from the 1960s to the present and placing the emphasis on two previously unexhibited series of works: Eyes (1974–1991) and Self-Portrait (2000).
First public guided tour with Letizia Ragaglia, Director Kunstmuseum Liechtenstein and curator of the exhibition.
Cost: museum admission
The Whole Palette offers a representative survey of the current holdings in the collection, with twenty-four of a total of forty works going on show to the public for the first time in a Hilti Art Foundation exhibition.
Cost: museum admission
2pm – 5pm Open museum studio
2.30pm and 3.30pm Family tour of the exhibition
NEW at the side-light gallery: OPEN PLAY by Chantal Küng
Time
2pm – 5pm
Get away from everyday life and into art: Take Away is a slightly different kind of lunch break in Vaduz. In 30 minutes you will get an insight into a current exhibition and learn some interesting facts about the artists and works. Each of these guided tours is dedicated to a different topic.
Take Away is in German. Admission is free of charge.
Registration required.
An integral part of the exhibition In the Context of the Collection: Georgia Sagri: Case_O. Between Wars is Georgia Sagri's new performance City, that premiered on 19 September, 2024 alongside renowned New York actor Jim Fletcher. The premiere is now followed by two additional performances, where Sagri will perform solo. This performance marks Sagri's very first written duet and confronts themes of resilience, war, internal conflict, destruction, and renewal. Through the interplay of physical support and vocal expression, City encourages the audience to reflect on their relationship to war, memory, and survival.
The performance involves various attempts for one body to act as a pedestal or support for the other, while a monologue is spoken, negotiated, translated, and sung as the action unfolds. This dynamic physicality is accompanied by real-time sound editing, singing, and translation, creating a multilayered experience of communication and transformation. The title City refers to how the performers' bodies allude to structures akin to real estate – built, destroyed, and rebuilt – mirroring the human experience of construction and collapse, both physically and metaphorically.
Although the performance draws inspiration from philosopher Hélène Cixous's theater play The Perjured City, or the Awakening of the Furies (1994), both the text and the performance are completely new works by Sagri. The themes explored in City – resilience, conflict,
and renewal – align with Sagri's ongoing investigation into the body as a site of negotiation, transformation, and vulnerability. This performance invites the audience to engage deeply with these themes in close proximity to the live presence of the work.
Cost: museum admission
An integral part of the exhibition In the Context of the Collection: Georgia Sagri: Case_O. Between Wars is Georgia Sagri's new performance City, that premiered on 19 September, 2024 alongside renowned New York actor Jim Fletcher. The premiere is now followed by two additional performances, where Sagri will perform solo. This performance marks Sagri's very first written duet and confronts themes of resilience, war, internal conflict, destruction, and renewal. Through the interplay of physical support and vocal expression, City encourages the audience to reflect on their relationship to war, memory, and survival.
The performance involves various attempts for one body to act as a pedestal or support for the other, while a monologue is spoken, negotiated, translated, and sung as the action unfolds. This dynamic physicality is accompanied by real-time sound editing, singing, and translation, creating a multilayered experience of communication and transformation. The title City refers to how the performers' bodies allude to structures akin to real estate – built, destroyed, and rebuilt – mirroring the human experience of construction and collapse, both physically and metaphorically.
Although the performance draws inspiration from philosopher Hélène Cixous's theater play The Perjured City, or the Awakening of the Furies (1994), both the text and the performance are completely new works by Sagri. The themes explored in City – resilience, conflict,
and renewal – align with Sagri's ongoing investigation into the body as a site of negotiation, transformation, and vulnerability. This performance invites the audience to engage deeply with these themes in close proximity to the live presence of the work.
Cost: museum admission
Join us to be inspired by the artworks and get creative in the rooms of the Kunstmuseum. Armed with drawing-pencils and paper, we explore the pictures on show in the exhibition, viewing and examining them to find our own ways to engage with art.
No previous experience required!
Registration required.
In cooperation with Skino, Schaan.
Admission to the film screening is free of charge.
All dance and music enthusiasts aged 60 and over are invited to an afternoon of dancing from 3pm to 6pm. The sounds of the 70s and 80s can be listened to and danced to in a relaxed atmosphere in the "Seitenlichtsaal". The Seniors' Commission of the Municipality of Vaduz, the Kunstmuseum Liechtenstein and the Liechtenstein Seniors' Association are looking forward to welcoming numerous guests.
Free admission, no registration necessary.
The film features footage of all four of Georgia Sagri's performances under the same title –SALOON: There Is No Country In Our Hearts – at the Museum of Modern Art in Warsaw in 2013. The performances took place within the context of the museum collection exhibition In the Heart of the Country but were not part of that show.
The film features texts in the form of subtitles; artworks from the museum's collection and by the invited artists, which were activated during the different performances; and diagrams that emerged during the film's editing process. The resulting work serves future uses and purposes without historicising or framing a past event, that of a performance or an exhibition. As such, the film does not document a performance but rather promotes Saloon – a nomadic curatorial project started in 2009 – and it announces the project's desire to continue to operate.
Get away from everyday life and into art: Take Away is a slightly different kind of lunch-break in Vaduz. In 30 minutes you will get an insight into a current exhibition and learn some interesting facts about the artists and works. Each of these guided tours is dedicated to a different topic.
Take Away is in German. Admission is free of charge.
The film features footage of all four of Georgia Sagri's performances under the same title –SALOON: There Is No Country In Our Hearts – at the Museum of Modern Art in Warsaw in 2013. The performances took place within the context of the museum collection exhibition In the Heart of the Country but were not part of that show.
The film features texts in the form of subtitles; artworks from the museum's collection and by the invited artists, which were activated during the different performances; and diagrams that emerged during the film's editing process. The resulting work serves future uses and purposes without historicising or framing a past event, that of a performance or an exhibition. As such, the film does not document a performance but rather promotes Saloon – a nomadic curatorial project started in 2009 – and it announces the project's desire to continue to operate.
Free admission.
